A sign outside Southwestern Public Health in St. Thomas, Ontario, Canada, on Tuesday, March 4, 2025, warns residents to call ahead before visiting a doctor or hospital if they think they have the measles. (Geoff Robins/The Canadian Press via AP)
Webb said in a news release that she felt increasingly disconnected from the Democratic Party as it continued to “lurch to the left.”“It has become untenable and counterproductive to the best interests of my constituents for me to remain a Democrat,” Webb said. “I will continue to be a fearless advocate for rural Kentucky and for the residents of eastern Kentucky who have been so good to me and my family.”
Kentucky Democratic Party Chair Colmon Elridge said in a release that Webb chose to align with a political party attempting to fund tax breaks for the wealthy “off the backs of vulnerable” people.It was a barbed reference to the multitrillion-dollar tax breaks package passed recently by. To make up for some of the lost tax revenue, Republicans focused on changes to Medicaid and the food stamps program. The nonpartisan Congressional Budget Office estimates 8.6 million fewer people would have health care coverage and 3 million less people a month would have SNAP food stamps benefits with the proposed changes.
“If those are her priorities, then we agree: she isn’t a Democrat,” Elridge said.Webb stressed that her core values have not changed.
“The only difference today is the letter next to my name,” she said.
Webb has compiled a personal and professional resume deeply ingrained in Kentucky culture. She’s a hunter, a horse enthusiast and a former coal miner who changed career paths to become an attorney.But like scaffolding that’s been left up too long, the strain of renovation shows in Webb’s film, particularly in its awkward handling of Dopey, Sneezy and company. The seven dwarfs, like the fawns and squirrels, are rendered in CGI. You could argue that this acknowledges the artificiality of a dated and offensive trope. But it also gives “Snow White” an uncanny quality, with all human characters but the dwarfs being played by real people. As if to Band-Aid over this, one of the woodsmen is played by an actor of short stature (George Appleby) whose presence seems like yet another atonement, only one for this “Snow White,” not 1937’s.
You might be thinking: But what about the movie? The problem with “Snow White” is that you never stop thinking about these much-strategized and sometimes superficial efforts to recontextualize the original movie. Erin Cressida Wilson’s screenplay remakes Snow White’s story as less a princess awaiting her Prince Charming (the song “Someday My Prince Will Come” has been jettisoned) than an heir to a throne who loses her gumption. Though taught as a child to be “fair” as a leader by her father king (Hadley Fraser), Snow White has lost any ambition by the time Gadot’s Evil Queen takes over the kingdom.Gadot sinks her teeth into the Evil Queen, a spikey, slinky villain who moves with a metallic rustle (the costumes are by Sandy Powell). But she feels cut off from the movie, without the lines that would elevate her flamboyant performance into something memorable. The prince has been altogether scrubbed; instead Andrew Burnap plays the blandly cocksure bandit Jonathan who encourages Snow White not to wait for her father’s rescue.
Presumably one of the reasons to bring actors into remakes of animated classics would be to add a warm-blooded pulse to these characters. Zegler manages that, but everyone else in “Snow White” — mortal or CGI — is as stiff as could be. You’re left glumly scorekeeping the updates — one win here, a loss there — while pondering why, regardless of the final tally, recapturing the magic of long ago is so elusive.“Snow White,” a Walt Disney Co. release is rated PG by the Motion Picture Association for violence, some peril, thematic elements and brief rude humor. Running time: 109 minutes. Two stars out of four.